In Russian folk tales, the bear is a special figure. It is not a fox, a rabbit, or a wolf. It is huge, strong, awkward, but at the same time kind and just. Its image has changed from a pagan totem to a comical oaf. Why has the bear become almost the main animal in Russian folklore? And how does it differ from "colleagues" in European tales? Let's figure it out.
Among Slavs, the bear was considered a sacred animal, the embodiment of Veles (the god of livestock). People feared and revered it. Even the name "bear" is an euphemism ("knowing honey") to avoid calling the real name (ber). In tales, it often appears as a judge, defender of the weak, and master of the forest kingdom. It can punish for greed, help an orphan, or reward a hero. Unlike the wolf, which is often foolish and hungry, the bear is reasonable. Although it is not without comical traits.
The most famous tale about a bear is "Masha and the Bear". Here, he is not a villain. He does not eat the girl but takes her to his cottage so she can manage the household. The bear plays the role of a "homestead" or even a substitute father. He is clumsy but not cruel. And his phrase "don't sit on the moss, don't eat the pie" is a sign that he wants to keep the food for Masha, not out of greed. In the end, Masha tricks him (hides in a box), but the bear does not get angry — he understands that the girl wants to go home.
In the tale "The Man and the Bear" (or "Greens and Roots"), the bear appears as a foolish partner. The man agrees with the bear to divide the harvest: one takes the greens, the other the roots. The bear always chooses the wrong part (either a radish with the green top or wheat with the ears). In the end, he ends up with nothing. This is the image of a bear simpleton, who is strong but not clever. However, even when tricked, he does not kill the man — he goes into the forest. This highlights his peacefulness.
In the tale "Medvedko, Ussnia, Gornia, and Dubnia", the bear helps Ivan- Tsarevich. And in some plots ("Princess-Bear") he appears as a werewolf, a man in a bear skin. The beauty marries the bear, and then he sheds his skin and turns out to be a good young man. Such plots refer to totemic marriages, where the bear is the ancestor of man.
In Western tales, the bear often becomes a friend of a human. Winnie the Pooh is fluffy, lazy, but kind. Paddington is an immigrant from Peru, polite and amusing. Balto (from the cartoon) is not a bear, but a wolf, but in general, the image of the bear in European tales (such as "Brother Bear") is a symbol of the wild nature that teaches humans to submit. Unlike the Russian bear, Western ones are often infantile or sentimental. Aggressive bears (as in "The Legend of the Bear-Eating Man") are rare, more in horror stories.
Unlike the wolf (which can eat a grandmother) or the Gorynych snake (obvious evil), the bear almost never becomes a negative hero. Why? Because our ancestors lived next to the bear, respected his strength, but did not consider him an enemy. The bear is a competitor (loves honey, may attack livestock), but not a killer out of malice. In the peasantry's consciousness, he is a "master," just as much of a worker, only with a bear's clumsy gait. Even in the tale "The Teremok," he comes last and destroys the teremok not out of malice, but due to his bear strength.
In modern pop culture, the bear from tales has turned into a meme. The cartoon series "Masha and the Bear" has made him a patient nanny who is tired of the girl's pranks. In the film "Barbarossa," the bear is a positive character helping the hero. The image remains a kind oaf. And that's good. Do not touch our bear.
The bear in tales reflects the human's attitude towards nature. It is complex: fear and respect, a desire to subdue and recognition of strength. But in the end, the bear remains a friend. Even if sometimes he steals honey.
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